Measuring Pointlessness by Time is a single-channel excerpt from a larger multichannel video installation that confronts themes of futility, repetition, and existential inertia. Two protagonists—a man and a woman—appear in a vertically split frame, each occupying one half of the screen. On an overgrown, indifferent field, they repeatedly practice golf swings, hitting balls directly into a nearby mountain—a completely pointless and absurd gesture, devoid of ambition or any sense of productive completion. This ridiculous act, repeated with mechanical rhythm, is mirrored by a metronome in the soundtrack, which steadily measures time with clinical detachment. Echoing Knezović’s Ode to Helplessness, the piece transforms empty effort into a quiet metaphor for the absurd rituals through which we navigate time, failure, and meaninglessness.